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‘ Seven virtues.
THE GUIDE TO. CATHOLIC LITERATURE, 1940-‘I944
Setton, Kenneth M.-continued
In his treatment of the attair of,the synagogue at
Callinicum the author may seem prejudiced against
Ambrose. . . . Apart from this, the author's
judgment is moderate, sane and calm. The English
is clear, idiomatic and. easy to read. In editing
and format the hook is a model of its kind”-
Edsward Hagemann, S.J., Thought l7:l67 Mr ’-12,
27 v.
F‘. O. Corcoran, S.J., Theol S 3:156 F ’42, 775w.
Seven gifts of the Holy Ghost. Kelly, B.
Seven golden cities. Farnum, A.
Seven last words. Sheen, F. J.
Seven periods of Irish history. O’Slieel, S.
Seven poems. Clifton, V.
Sheen, F. J.
Seven words of Mary. Plassmann, T.-
Seventeenth summer. Daly, M.
Severs, J. Burke (Non-C.): prof. of English,
Lehigh U.
The literary relationships of Cliaucer’s
Clerkes Tale; pref. xi-371p. (app, bibliog,
index) front (fascim) f6V2x9V2 ’42 (Yale
studies in English, 96) Yale U. Press. 7.50.
An analysis of Chaucer's sources for the Griselda
tale, establishing the texts of the sources and the
poet’s treatment of them.
Sex Education and Sexual Ethics '
Banning, M. C. Case for chastity. .
Desmarais, M. M. Amour et les chretiens.
Guide right. See title entry.
Hope, IV. Life together. p
Juergens, S. Fundamental talks on purity.
Leblanc, J. G. Vraie victoire.
Mercier, L. P. Quoi dire. .
O’Brien, I. Blessed are the pure in heart.
Rumble, L. Frank youth quigzes on sex.
Tanner, P. Youth and chastity.
Treacy, G. C. Sex. p
VVayne, T. G. Morals and marriage.
Sforza, Carlo, conte (l873- ): Italian
statesman living in U.S., ’40-; his Catholi-
cism is doubtful; see his entry in The
Guide, vl.
3SContemporary Italy. 430p. '44 Dutton,
. 0.
“This book is divided into 7.parts, covering
Italian intellectual and moral history “Om the
Renaissance through the Risorgimento, thru. Croce,
the contemporary ‘idealist’ pliilosopher; Italian po-
litical and social life from the Risorgimento do.wn
thru Fascism; contemporary and future Italian
problems, which . . . the Count envisages as ex-
plicable and soluble only 38111115‘ E‘“'0Pe‘”‘ 3"“;
world problems. Covering so much territory an
openly subjective in treatment, the book .shc’)’wS the
inevitable limitations of such an exposition --An:
geline M. Lograsso, Sign 23:609 My 44, 523W,
the reviewer calls the Count a Catholic.
Les Italiens tels qu’ils sont; tr- diltallen
par Fiammetta Sforza; pref. 208p. (,md6X)
Sx7V2 ’4l (Probleiiies actuels, 3) LAI‘b1‘C-
pa 1.25.
525
“Count Sforza writes only of what personal ex-
perience and observation have taught him. . . .
His avowed purpose is to warn those who uiider-
take to write books about Italy to beware of axioms
and certitudes, for the character of that people,
from the liumblest to the most famous, is at once
simple and. complex. .‘ . . There are here no
startling diplomatic disclosures. . . . The uni-
versalism.of the Italian character is brought out
by quotations from the poets and patriots of the
heroic struggle for the independence and unification
of Italy. . . . Count Sforza, by inference through-
out and more specifically in a special chapter, con-
demns Fascism. . . . e book is written in ex-
cellent French"-Santina C. Vial, ‘Thought 18:
313-4 Je ’43, 550w.
The real Italians: a study in European
psychology; pref. X-156p. 5V2x9 ’42 Colum-
bia U. Press. $2.
Translated from his Les Italiens tels qu’ils sont
(VVhich see above), with the addition of Chapters
XII and XVI.
. “This is a chatty little book written by a dis-
tinguished diplomat who understands and loves
his country and countrymen. The purpose of the
work is to show that ‘Italians, great and small, are
both simple and complex.’ To understand the
Italian, the foreigner must integrate Italy’s historic
past with the living present. Count Sforza shows
the evolution of Italian Nationalism historically in
terms of towns and cities. The Chapters on Italian
literature and dialects, the Italian and his roots in
the soil, the Italian family bond, and the Italians of
the North and of the South are the most entery1in-
ing. The chapter on religion is the least satisfying.
No lover of Mussolini and Italian Fascism, Count
Sforza condemns Fascism as psychologically un-
suited to the Italian"--Charles IV. Reinhardt,
America 67:694 5 26 ’42, 175w.
Shadow of night. Derletli, A.
Shadows of the trees. Ducliarme, J.
Shadows on the down. Noyes, A.
Shakespeare, William (1564-1616): English
dramatist; material on him in The Guide
comprises writings on him and his works
by Catholic authors and writings on the
question of his religion; see also his entry
in The Guide, vl.
Mroz, Sister M. B. Divine vengeance.
Grace, Wm. J. The har(l’s poetic art.
America 662577-78 F 28 '42.
Grace, Wm. J. The morality of Shake-
speare’s work. Cath Sch J 43 2106-07 Ap '43.
Grace, VVm. J. Sliakespearc’s real Cathol-
icism. -America 67 :325-6 Je 27 '42.
Semper, I, (Rev.) Shakespeai'e’s re-
ligion once more. Cath World 1562589-96
Ja ’43, argues that he was a Catholic.
Tucker, Wm. J. Irish aspects of Shake-
speare. Cath ‘World 1561698-704 Mr ’43.
Shall heaven be tilled? W yse, A.
Shall I be a Maryknoller? Sheridan, R. E.
Shall I become a Franciscan nun? Mary
Claire, Sr.
Shall I marry a non-Catholic? Magner,
J. A.